"Simple Symphony, Op. 4: II. Playful Pizzicato" by Benjamin Britten, Bournemouth Sinfonietta, Richard Studt was released on June 3, 1994. The duration of Simple Symphony, Op. 4: II. Playful Pizzicato is about 3 minutes long, at 3:17. Based on our data, "Simple Symphony, Op. 4: II. Playful Pizzicato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 20th Century String Music, so we believe that "Simple Symphony, Op. 4: II. Playful Pizzicato" is a single. Based on our statistics, Simple Symphony, Op. 4: II. Playful Pizzicato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten, Bournemouth Sinfonietta, Richard Studt is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Carmina Burana: IV. Omnia sol temperat | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | G Minor | 0 | 6A | 79 BPM | ||
Ciacona in G Minor, Z. 730 | Henry Purcell, English Chamber Orchestra, Benjamin Britten | G Minor | 2 | 6A | 78 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Tom Bowling | Charles Dibdin, Sir Peter Pears, Benjamin Britten | E♭ Major | 1 | 5B | 76 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Britten: Les illuminations, Op. 18: No. 1, Fanfare | Arthur Rimbaud, Benjamin Britten, Martyn Hill/City of London Sinfonia/Richard Hickox, Martyn Hill, Richard Hickox, City of London Sinfonia | D Minor | 1 | 7A | 79 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM |
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