"Violanta: Violanta/ja du wirst" by Erich Wolfgang Korngold, Munich Radio Orchestra was released on 1980. The duration of Violanta: Violanta/ja du wirst is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Violanta: Violanta/ja du wirst's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Wolfgang Korngold, Marek Janowski's "Korngold: Violanta - The Sony Opera House" album is number 11 out of 26. On top of that, United States appears to be the country where this track was created. Violanta: Violanta/ja du wirst is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violanta: Violanta/ja du wirst by Erich Wolfgang Korngold, Munich Radio Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Schaume, tolles Tanzerblut (Julienne, Lucienne, Victorin, Graf Albert, Fritz, Marietta) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | G Major | 3 | 9B | 131 BPM | ||
The Sea Hawk Suite: Reunion | Erich Wolfgang Korngold, London Symphony Orchestra, André Previn | C Major | 4 | 8B | 94 BPM | ||
Die tote Stadt: Act III: Die Tote - wo - lag sie nicht hier | Erich Wolfgang Korngold, Erich Leinsdorf, René Kollo, Carol Neblett, Benjamin Luxon, Rose Wagemann | B♭ Major | 3 | 6B | 122 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Jungle March And Battle | Erich Wolfgang Korngold | D Major | 2 | 10B | 77 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |
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