Tomaso Albinoni, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov made "Concerto Saint Marc, Op. 6 No. 11: I. Grave" available on September 14, 2017. The duration of Concerto Saint Marc, Op. 6 No. 11: I. Grave is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Concerto Saint Marc, Op. 6 No. 11: I. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in Foundation by Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Concerto Saint Marc, Op. 6 No. 11: I. Grave is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto Saint Marc, Op. 6 No. 11: I. Grave by Tomaso Albinoni, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 4 in D Major, WoO 4: II. Allegro | Arcangelo Corelli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Sonata No. 7 in C Major: V. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Violin Concerto in G Major, Op. 3, No. 9: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 2 | 10B | 115 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Il Giardino d'Amore: Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM |
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