"Threnody (after Mozart) - (Arr. for Piano from Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Olivia Belli)" by Wolfgang Amadeus Mozart, Olivia Belli was released on June 10, 2022. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Threnody (after Mozart) - (Arr. for Piano from Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Olivia Belli) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Threnody (after Mozart) - (Arr. for Piano from Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Olivia Belli) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Threnody (after Mozart) - (Arr. for Piano from Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Olivia Belli) by Wolfgang Amadeus Mozart, Olivia Belli having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sand Shelter | Piano Novel | B Minor | 1 | 10A | 77 BPM | ||
Solitude | Ryuichi Sakamoto, Vanessa Wagner | D♭ Major | 0 | 3B | 66 BPM | ||
Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti) | Maurice Ravel, Esther Abrami, Iyad Sughayer | G Major | 2 | 9B | 168 BPM | ||
Fantasía | Gabríel Ólafs, Steiney Sigurðardóttir | D♭ Major | 1 | 3B | 98 BPM | ||
Castle in the Air | Pieter de Graaf | E♭ Minor | 1 | 2A | 69 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Iris | Daigo Hanada | D♭ Minor | 1 | 12A | 128 BPM | ||
Clarinet Concerto in A Major, K. 622: Clarinet Concerto in A Major, K. 622/II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | D Major | 0 | 10B | 78 BPM | ||
Thirty | Sarah Watson | C Major | 0 | 8B | 131 BPM | ||
Dessner: Song for Octave | Bryce Dessner, Bertrand Chamayou | E♭ Major | 1 | 5B | 133 BPM |
Section: 0.5400049686431885
End: 0.5435686111450195