Giuseppe Verdi, Giovanni Zenatello's 'La traviata*: Act II: De' miei bollenti spiriti' came out on January 4, 2011. The duration of La traviata*: Act II: De' miei bollenti spiriti is about 3 minutes long, at 3:08. Based on our data, "La traviata*: Act II: De' miei bollenti spiriti" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Harold Wayne Collection, Vol. 16 (1905-1909)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. La traviata*: Act II: De' miei bollenti spiriti is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La traviata*: Act II: De' miei bollenti spiriti by Giuseppe Verdi, Giovanni Zenatello having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): VI. Les toréadors | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 3 | 11B | 128 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Aida / Act 4: "O terra, addio; addio valle di pianti" | Giuseppe Verdi, Luciano Pavarotti, Paata Burchuladze, Maria Chiara, Ghena Dimitrova, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel | D♭ Major | 1 | 3B | 84 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Simon Boccanegra / Act 1: "Orfanelle il tetto umile" "Figlia! ... a tal nome io palpito" (Amelia) | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Major | 2 | 7B | 85 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Carmen (1997 - Remaster), Act IV: Les voici! voici la quadrille! | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 126 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, June Anderson, Piero de Palma, Carlo de Bortoli, Roberto Scaltriti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 77 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM |
Section: 0.6848559379577637
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