"Sacrae cantiones (Nuremberg, 1562): Veni in hortum meum" by Choir of St. John's College, Cambridge was released on 2011. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Choir of St. John's College, Cambridge, Andrew Nethsingha's "Laudent Deum: Sacred Music by Orlande de Lassus" album is number 2 out of 24. Sacrae cantiones (Nuremberg, 1562): Veni in hortum meum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sacrae cantiones (Nuremberg, 1562): Veni in hortum meum by Choir of St. John's College, Cambridge to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
Glory be to Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 79 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 80 BPM | ||
Caritas habundat in omnia | Hildegard von Bingen, Sequentia, Barbara Thornton | D Minor | 1 | 7A | 83 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Prophetiae Sibyllarum: Prologue: Carmina Chromatico, quae audis, LV 1048 | Orlande de Lassus, La Main Harmonique, Frédéric Betous | C Major | 2 | 8B | 93 BPM | ||
Lagrime di San Pietro: II. Ma gli archi | Orlande de Lassus, Gallicantus, Gabriel Crouch | F Major | 1 | 7B | 94 BPM | ||
Aeterna Christi munera et martyrum victorias | Saint Ambrose, Le Concert Spirituel, Herve Niquet | C Major | 0 | 8B | 70 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM |
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