Robert Schumann, Tiffany Poon made "Davidsbündlertänze, Op. 6: No. 10, Balladenmäßig sehr rasch" available on February 9, 2024. With Davidsbündlertänze, Op. 6: No. 10, Balladenmäßig sehr rasch being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 32 in Diaries: Schumann by Robert Schumann, Tiffany Poon. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Davidsbündlertänze, Op. 6: No. 10, Balladenmäßig sehr rasch is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Davidsbündlertänze, Op. 6: No. 10, Balladenmäßig sehr rasch by Robert Schumann, Tiffany Poon is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Etudes, Op. 111: V. Tierces majeures chromatiques | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
6 Etudes, Op. 111: IV. Les cloches de Las Palmas | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
6 Etudes, Op. 111: II. Traits chromatiques | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Prelude in G-Sharp Minor | John C Buttigieg | A♭ Minor | 1 | 1A | 67 BPM | ||
Prélude, choral et fugue, FWV 21: I. Prélude | César Franck, Adriana von Franqué | B Major | 1 | 1B | 136 BPM | ||
Premières valses: IV. Valse noble | Reynaldo Hahn, Pavel Kolesnikov | B Major | 2 | 1B | 133 BPM | ||
パピヨン Op.2 第5曲 - Robert Schumann | Nobuyuki Tsujii | B♭ Major | 0 | 6B | 80 BPM | ||
53 Studies on the Chopin Études: No. 2 in D-Flat Major (2nd Version after Chopin's Op. 10 No. 1, for the left hand alone) | Leopold Godowsky, Konstantin Scherbakov | D♭ Major | 1 | 3B | 119 BPM | ||
Pour le Piano, L. 59: II. Sarabande | Claude Debussy, Saskia Giorgini | D♭ Minor | 0 | 12A | 77 BPM | ||
25の練習曲作品100 第7曲 清い小川 | Franz Burgmüller, Rintaro Akamatsu | C Minor | 0 | 5A | 78 BPM |
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