"パピヨン Op.2 第5曲 - Robert Schumann" by Nobuyuki Tsujii was released on February 23, 2011. With パピヨン Op.2 第5曲 - Robert Schumann being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in チャイコフスキー:ピアノ協奏曲第1番, so we believe that "パピヨン Op.2 第5曲 - Robert Schumann" is a single. パピヨン Op.2 第5曲 - Robert Schumann is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of パピヨン Op.2 第5曲 - Robert Schumann by Nobuyuki Tsujii is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ピアノ・ソナタ 第11番 イ長調 K.331「トルコ行進曲付き」 - 第2楽章 メヌエット | Wolfgang Amadeus Mozart, Nobuyuki Tsujii | C Major | 9 | 8B | 94 BPM | ||
Kinderszenen, Op. 15: X. Fast zu ernst | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Cirandinhas: III. Vamos, maninha (Let's go, little sister) | Heitor Villa-Lobos, Débora Halász | G Major | 1 | 9B | 144 BPM | ||
Schumann, Kinderszenen (Scenes from Childhood), Op. 15: Bittendes Kind | Robert Schumann, Alessandro Deljavan | D Major | 0 | 10B | 78 BPM | ||
Mandolinato | Håvard Gimse, Jean Sibelius | D♭ Major | 1 | 3B | 121 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai (Live) | Maurice Ravel, Tonkünstler-Orchester, Nobuyuki Tsujii, Yutaka Sado | E Major | 0 | 12B | 142 BPM | ||
Concerto for Solo Piano (From 12 Etudes, Op. 39): III. Allegretto alla barbaresca, Op. 39 No. 10 | Charles-Valentin Alkan, Marc-André Hamelin | A Major | 2 | 11B | 111 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
Valse B-Flat Major: moderato – Poco meno mosso Moderato | Levko Revutskyi, Violina Petrychenko | E♭ Major | 1 | 5B | 86 BPM |
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