"Bachianas brasileiras No. 5: I. Aria: Cantilena (arr. G. Anderson and E. J. Roe)" by Anderson & Roe was released on November 1, 2011. Since Bachianas brasileiras No. 5: I. Aria: Cantilena (arr. G. Anderson and E. J. Roe) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of When Words Fade (Night Songs for Piano Duo) by Anderson & Roe. The song's track number on the album is #9 out of 12 tracks. Bachianas brasileiras No. 5: I. Aria: Cantilena (arr. G. Anderson and E. J. Roe) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 5: I. Aria: Cantilena (arr. G. Anderson and E. J. Roe) by Anderson & Roe has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bachianas brasileiras No. 5: I. Aria: Cantilena (arr. G. Anderson and E. J. Roe) being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
Petite Ouverture à danser | Erik Satie, Alexandre Tharaud | B♭ Major | 0 | 6B | 96 BPM | ||
Ave Maria, S. 558/12 | Franz Schubert, Lang Lang | B♭ Major | 0 | 6B | 64 BPM | ||
Debussy: Arabesque No. 1 | Daniel Pollack | E Major | 1 | 12B | 72 BPM | ||
Shostakovich: Fugue No. 7 In A Major | Dmitri Shostakovich, Joachim Kwetzinsky | A Major | 1 | 11B | 79 BPM | ||
La Fille Aux Cheveux De Lin, L. 117 | Claude Debussy, Ezio Bosso | F♯ Major | 0 | 2B | 90 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
Gianni Schicchi, SC 88: "O mio babbino caro" (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 1 | 4B | 124 BPM |
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