"The Seven Last Words of Christ, Hob.XX:2: The Seven Last Words of Christ, Hob.XX:2: Sonata IV. Mein Gott, mein Gott, warum hast du mich verlassen? Largo" by Franz Joseph Haydn, Cuarteto Casals was released on March 10, 2014. Since The Seven Last Words of Christ, Hob.XX:2: The Seven Last Words of Christ, Hob.XX:2: Sonata IV. Mein Gott, mein Gott, warum hast du mich verlassen? Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Cuarteto Casals's "Haydn: The Seven Last Words of Christ, Hob.XX:2 (Die sieben letzten Worte unseres Erlösers am Kreuze, Hob.XX:2)" album is number 5 out of 9. The Seven Last Words of Christ, Hob.XX:2: The Seven Last Words of Christ, Hob.XX:2: Sonata IV. Mein Gott, mein Gott, warum hast du mich verlassen? Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seven Last Words of Christ, Hob.XX:2: The Seven Last Words of Christ, Hob.XX:2: Sonata IV. Mein Gott, mein Gott, warum hast du mich verlassen? Largo by Franz Joseph Haydn, Cuarteto Casals to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
String Quartet In E Flat, Hob. III:38, Op. 33 No. 2: 2. Scherzo allegro | Joseph Haydn, Emerson String Quartet | G Major | 1 | 9B | 80 BPM | ||
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 3. Molto vivace | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 116 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: II. Andante | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | B Major | 0 | 1B | 179 BPM |
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