- BPM
- 123
- Key
- D Major
- Camelot
- 10B
The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer) - Malcolm Arnold, London Symphony Orchestra, Richard Hickox Information
- Acousticness
- 94%
- Danceability
- 53%
- Energy
- 33%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 65%
- Popularity
- 1%
- Loudness
- -13.362 dB
Summary
Malcolm Arnold, London Symphony Orchestra, Richard Hickox made "The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer)" available on November 1, 1992. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 16 in Arnold, M.: Film Music, Vol. 1 by Malcolm Arnold, Richard Hickox. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer) BPM
The tempo marking of The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer) by Malcolm Arnold, London Symphony Orchestra, Richard Hickox is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The Bridge on the River Kwai: II. Colonel Bogey (Arr. C. Palmer) Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | |
 | Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | |
 | The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | |
 | Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | |
 | Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | |
 | Hebrides Overture "Fingal's Cave" | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | B Minor | 1 | 10A | 132 BPM | |
 | Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |
- ISRC
- GBLWD0014502
- Label
- L-M Records/RCA Records
Section: 0.955883264541626
End: 0.9593498706817627