"Lungi dal caro bene (From "Armida e Rinaldo") - Voice" by Giuseppe Sarti, Richard Tucker was released on 1950. The duration of Lungi dal caro bene (From "Armida e Rinaldo") - Voice is about 3 minutes long, at 3:20. Based on our data, "Lungi dal caro bene (From "Armida e Rinaldo") - Voice" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 163 in the song's album "Richard Tucker: The Song and Cantorial Album Collection". In this album, this song's track order is #4. Lungi dal caro bene (From "Armida e Rinaldo") - Voice is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lungi dal caro bene (From "Armida e Rinaldo") - Voice by Giuseppe Sarti, Richard Tucker having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Requiem in E-Flat Minor: IX. Benedictus | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko | E♭ Major | 0 | 5B | 167 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | B♭ Major | 2 | 6B | 130 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
Flute Sonata No. 3 in G Major: III. Rondo | Giuseppe Sarti, Christine Meyr, Sokol Koka, Claudio Ferrarini | G Major | 1 | 9B | 87 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Vedrò con mio diletto - From "Giustino", RV 717 | Antonio Vivaldi, Valer Sabadus, Spark | B Minor | 1 | 10A | 137 BPM | ||
Il diluvio universale, Act I "In Cielo": Le nubi funeste | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea, Magali Arnault | A Major | 0 | 11B | 107 BPM | ||
Oratorio russe, I Ouverture, Allegro, Adagio | Giuseppe Sarti, Václav Smetáček, Orchestre Symphonique de Bratislava, Joseph Veselka, Choeurs de la Philharmonie de Prague | G Major | 1 | 9B | 82 BPM |
Section: 0.6368894577026367
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