Johann Michael Kühnel, Alberto Crugnola's 'Partita No. 4 in F Major: I. Prelude' came out on March 6, 2012. The duration of Partita No. 4 in F Major: I. Prelude is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Partita No. 4 in F Major: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 10 out of 95. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Partita No. 4 in F Major: I. Prelude's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Partita No. 4 in F Major: I. Prelude by Johann Michael Kühnel, Alberto Crugnola to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Trio Sonata in A Minor, Op. 1 No. 3, BuxWV 254: I. Adagio | Dietrich Buxtehude, Filament | E♭ Minor | 4 | 2A | 111 BPM | ||
25 Études esquisses pour guitare | Gerald Garcia, Miloš Karadaglić | G Major | 1 | 9B | 133 BPM | ||
Sinfonia a quattro No. 2 in A Major, SF C777: II. Largo | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Studio Op.48 N.23 - Allegro Con Moto | Mauro Giuliani, Lucio Matarazzo | B Minor | 2 | 10A | 130 BPM | ||
Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM | ||
[Suite en ré majeur]: VIII. La Fromental (No. 54) & Double (No. 5) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 177 BPM |
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