Johann Sebastian Bach, Ophélie Gaillard made "Suite n. 1 in G major, BWV 1007: I. Prelude" available on April 12, 2011. The duration of Suite n. 1 in G major, BWV 1007: I. Prelude is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Suite n. 1 in G major, BWV 1007: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach : Suites pour violoncelle seul (Intégrale) by Johann Sebastian Bach, Ophélie Gaillard. Suite n. 1 in G major, BWV 1007: I. Prelude is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite n. 1 in G major, BWV 1007: I. Prelude by Johann Sebastian Bach, Ophélie Gaillard is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Nuit américaine: Grand Choral | Georges Delerue, Romain Leleu, Stuttgart Philharmonic Orchestra, Marcus Bosch | D Major | 3 | 10B | 95 BPM | ||
Spanish Dance from La vida breve (Violin Part by Kreisler) | Manuel de Falla, Nemanja Radulović, Double Sens | C Minor | 0 | 5A | 125 BPM | ||
La Valse d'Amélie | Lavinia Meijer | A Minor | 1 | 8A | 92 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
De Courson: Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488") | Hughes De Courson, Orchestre Symphonique De Bulgarie, Milen Natchev | D Major | 1 | 10B | 95 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Kreisler: 3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Julie Berthollet, Guillaume Vincent | A Major | 1 | 11B | 97 BPM | ||
Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante | Salvatore Lanzetti, Ophélie Gaillard, Pulcinella Orchestra | A Major | 4 | 11B | 123 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM |
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