Salvatore Lanzetti, Ophélie Gaillard, Pulcinella Orchestra made "Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante" available on October 6, 2023. The duration of Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Napoli!". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. Based on our statistics, Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cello Sonata No. 7 in G Major, Op. 1: II. Rondeau. Andante by Salvatore Lanzetti, Ophélie Gaillard, Pulcinella Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Queen's Dolour, Z. 670 (Arr. for Ensemble by Le Consort) | Henry Purcell, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Trio Sonata in D Minor: I. Adagio | Johann Christoph Pepusch, La Camerata de Paris | E Major | 1 | 12B | 69 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Mazurkas, Op. 68: No. 3 in F Major, B. 34 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: III. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | E♭ Minor | 2 | 2A | 77 BPM | ||
Trio Sonata in C Minor, BuxWV 262: II. Allegro - III. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: Ouverture | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | D♭ Minor | 2 | 12A | 104 BPM |
Section: 0.5163002014160156
End: 0.5200488567352295