Vladimir Horowitz's 'Kinderszenen (Scenes from Childhood), Op. 15: 11. Fürchtenmachen' came out on 1962. With Kinderszenen (Scenes from Childhood), Op. 15: 11. Fürchtenmachen being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schumann: Kreisleriana, Op. 16; Wieck-Variations; Kinderszenen, Op. 15; Toccata in C Major, Op. 7". In this album, this song's track order is #20. Based on our statistics, Kinderszenen (Scenes from Childhood), Op. 15: 11. Fürchtenmachen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen (Scenes from Childhood), Op. 15: 11. Fürchtenmachen by Vladimir Horowitz having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No. 6 in D-Flat Major, S. 244/6 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 107 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Étincelles, Morceau caractéristique op.36, no.6: Allegro scherzando - Live | Moritz Moszkowski, Vladimir Horowitz | B♭ Major | 1 | 6B | 73 BPM | ||
Prelude in G-Sharp Minor, Op. 22, No. 1: Andante - Remastered | Alexander Scriabin, Vladimir Horowitz | A♭ Minor | 0 | 1A | 101 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Exercises in Free Improvisation Part II - Remastered | Vladimir Horowitz | D♭ Major | 2 | 3B | 112 BPM | ||
The Stars and Stripes Forever | John Philip Sousa, Vladimir Horowitz | A♭ Major | 2 | 4B | 113 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM | ||
Sonata in E Major, L. 430 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM |
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