Friedrich Robert Volkmann, German Chamber Academy Neuss, Johannes Goritzki made "Serenade No. 1 in C Major, Op. 62: I. Maestoso alla marcia" available on January 1, 1994. With Serenade No. 1 in C Major, Op. 62: I. Maestoso alla marcia being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Volkmann: Serenades Nos. 1-3 / Reinecke: Serenade in G Minor by Johannes Goritzki. The song's track number on the album is #1 out of 18 tracks. In terms of popularity, Serenade No. 1 in C Major, Op. 62: I. Maestoso alla marcia is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Serenade No. 1 in C Major, Op. 62: I. Maestoso alla marcia by Friedrich Robert Volkmann, German Chamber Academy Neuss, Johannes Goritzki has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Serenade No. 1 in C Major, Op. 62: I. Maestoso alla marcia being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 German Dances with 7 Trios and Coda, D. 89: No. 3, German Dance in D Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo | Robert Schumann, Jan Willem de Vriend, Stavanger Symphony Orchestra | E♭ Major | 0 | 5B | 74 BPM | ||
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
String Quartet No. 1 in C Major, Op. 49: III. Allegro molto | Dmitri Shostakovich, Quatuor Danel | G Major | 0 | 9B | 89 BPM | ||
String Quartet in A Major: II. Andante | Amanda Rontgen-Maier, The Zilliacus Quartet, Cecilia Zilliacus, Julia-Maria Kretz, Ylvali McTigert Zilliacus, Kati Raitinen | D Minor | 1 | 7A | 122 BPM | ||
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
Mini Wedding March | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Der Admiral: Overture | Giacomo Meyerbeer, Georg Joseph Vogler, Czech Philharmonic Chamber Orchestra, Dario Salvi | F♯ Minor | 4 | 11A | 106 BPM | ||
弦楽のためのセレナード ハ長調 OP.48 第3楽章 エレジー | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | D Major | 1 | 10B | 84 BPM |
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