Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #12. Based on our statistics, Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus) by Henry Purcell, Emmanuelle Haïm having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, Deuxième Entrée, Scène 5: Air des Incas | Jean-Philippe Rameau, Les Arts Florissants, William Christie | A♭ Major | 0 | 4B | 121 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Alcun non sia che disperato" (Pastori II, III) - Ritornello | Claudio Monteverdi, Emmanuelle Haïm | A♭ Major | 1 | 4B | 122 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Oft she visits this lone mountain" (Second Woman) - A Dance to entertain Aeneas | Henry Purcell, Emmanuelle Haïm | D♭ Minor | 2 | 12A | 137 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | A Major | 2 | 11B | 100 BPM | ||
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 6, Aria and Chorus. "The Day That Such a Blessing Gave" | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Thomas Allen, Monteverdi Orchestra | A Minor | 1 | 8A | 129 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Les Amants magnifiques: Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 132 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
La Calisto, Act I Scene 2: Piante ombrose (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Concerto Vocale | D♭ Major | 2 | 3B | 120 BPM |
Section: 0.9412624835968018
End: 0.9457416534423828