"Fantasia On A Theme By Thomas Tallis - Excerpt" by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth was released on September 14, 2022. With this song being about 5 minutes long, at 5:14, "Fantasia On A Theme By Thomas Tallis - Excerpt" by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 64 in the song's album "Queen Elizabeth II: Music in Memoriam". In this album, this song's track order is #52. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Fantasia On A Theme By Thomas Tallis - Excerpt is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia On A Theme By Thomas Tallis - Excerpt by Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo: Molto allegro | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 175 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Suite from Poldark | Anne Dudley, The Chamber Orchestra Of London | A Minor | 2 | 8A | 84 BPM | ||
G and Grey Together in Bath | Rachel Portman | G Major | 1 | 9B | 103 BPM | ||
Leaving For Philadelphia | Rob Lane | D Minor | 4 | 7A | 87 BPM | ||
It's a Life | Burkhard Dallwitz | E Major | 2 | 12B | 120 BPM | ||
Five English Folk Songs: 4. The Lover's Ghost (Well met, my own true love) | Ralph Vaughan Williams, London Madrigal Singers, Christopher Bishop | A♭ Minor | 1 | 1A | 166 BPM |
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