Psalm 20 "The Lord Hear Thee in the Day of Trouble" - Thomas Attwood Walmisley, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams Information

Acousticness: 74%
Danceability: 24%
Energy: 6%
Instrumentalness: 0%
Liveness: 29%
Loudness: 51%
Speechiness: 6%
Valence: 6%
Popularity: 3%
Loudness: -29.571 dB

Summary

"Psalm 20 "The Lord Hear Thee in the Day of Trouble"" by Thomas Attwood Walmisley, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams was released on January 11, 1991. The duration of Psalm 20 "The Lord Hear Thee in the Day of Trouble" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Psalm 20 "The Lord Hear Thee in the Day of Trouble"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Psalms of David, Vol. 3: In Jewry Is God Known". In this album, this song's track order is #2. In terms of popularity, Psalm 20 "The Lord Hear Thee in the Day of Trouble" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Psalm 20 "The Lord Hear Thee in the Day of Trouble" BPM

With Psalm 20 "The Lord Hear Thee in the Day of Trouble" by Thomas Attwood Walmisley, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Psalm 20 "The Lord Hear Thee in the Day of Trouble" Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Come, Risen Lord	William Ferris Chorale	B♭ Major	2	6B	65 BPM
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee	Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir	G Major	2	9B	59 BPM
There Many Shall Come from the East and the West SHZ 405a	Laestadian Lutheran Church	D♭ Major	3	3B	99 BPM
Angel Voices, Ever Singing	Edwin George Monk, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu	C Major	1	8B	89 BPM
Hymnen, Op. 140: Nr. 2 Dextera Domini	Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius	D Major	1	10B	78 BPM
Psalm 104, 'Praise the Lord, O my soul'	Sir Walter Parratt, Thomas Attwood Walmisley, The Choir Of Westminster Abbey, Martin Neary	F Major	1	7B	87 BPM
Psalm 39: I said, I will take heed to my ways	James Turle, The Choir Of Westminster Abbey, Martin Neary	D Major	0	10B	129 BPM
Savior, Like a Shepherd Lead Us SHZ 484	Laestadian Lutheran Church, Viena Kontkanen, Liisa Keranen	F Minor	5	4A	109 BPM
Franconia "Blest Are the Pure in Heart"	Johann Georg Ebeling, Johann Balthasar Konig, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald	A Major	0	11B	80 BPM
Kyrye Eleison; Pater noster	Sixtine Chapel Choir, Juan Paradell Solè, Students of the Pontifical Institute of Sacred Music	G Minor	2	6A	174 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.058570146560669

End: 1.0617272853851318