"Symphonie fantastique, Op. 14: III. Scène aux champs" by Hector Berlioz, André Cluytens, Philharmonia Orchestra was released on June 5, 2021. Symphonie fantastique, Op. 14: III. Scène aux champs appears to be safe for all ages as it is not explicit. The song is number 12 out of 30 in French Romantic Composers by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Symphonie fantastique, Op. 14: III. Scène aux champs is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: III. Scène aux champs by Hector Berlioz, André Cluytens, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle | A Major | 1 | 11B | 92 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Béatrice et Bénédict / Act 1: Mourez, tendres époux | Hector Berlioz, Orchestre de Paris, Daniel Barenboim, Choeur de l'Orchestre de Paris, Arthur Oldham | E Major | 1 | 12B | 0 BPM | ||
L'enfance du Christ, H. 130, Part II: Overture (arr. by Mily Balakirev) | Mily Balakirev, Hector Berlioz, Alexander Paley | F♯ Minor | 0 | 11A | 76 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 1, Promenade I | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 88 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: Sinfonia | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 131 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM |
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