Slovak Philharmonic Orchestra,Libor Pesek, Conductor's 'Serenade No. 13 in G Major, K. 525 Eine kleine Nachtmusik: II. Romance - Andante' came out on May 6, 2008. Serenade No. 13 in G Major, K. 525 Eine kleine Nachtmusik: II. Romance - Andante is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There is only one song in 30 Toddler Classical Songs Vol.2, so we believe that "Serenade No. 13 in G Major, K. 525 Eine kleine Nachtmusik: II. Romance - Andante" is a single. Based on our statistics, Serenade No. 13 in G Major, K. 525 Eine kleine Nachtmusik: II. Romance - Andante's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Serenade No. 13 in G Major, K. 525 Eine kleine Nachtmusik: II. Romance - Andante by Slovak Philharmonic Orchestra,Libor Pesek, Conductor is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Waldmädchen: No. 20, Allegro vivace | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): VIII. Gigue | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 2 | 6B | 94 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
12 Contredanses, WoO 14: No. 12 | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 85 BPM | ||
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: V. Affettuoso - Studio Recording | Francesco Geminiani, I Musici | B♭ Minor | 2 | 3A | 114 BPM | ||
Eine Kleine Nachtmusik: I. Allegro | Adelaide Symphony Orchestra, Timothy Sexton | G Major | 1 | 9B | 141 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
Sinfonia in D Major, "Bologna" | Gioachino Rossini, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 79 BPM | ||
Mozart: Concerto for Clarinet and Orchestra in A Major - Adagio | CHA Medical Center | D Major | 0 | 10B | 81 BPM | ||
Symphony No. 97 in C Major, Hob. I:97: II. Adagio ma non troppo | Joseph Haydn, George Szell, The Cleveland Orchestra | F Major | 0 | 7B | 79 BPM |
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