On August 2, 2013, the song "Partita No. 1 in B minor, BWV 1002: VI. Double" was released by Johann Sebastian Bach, Chris Thile. The duration of Partita No. 1 in B minor, BWV 1002: VI. Double is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Partita No. 1 in B minor, BWV 1002: VI. Double's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Bach: Sonatas and Partitas, Vol. 1 by Johann Sebastian Bach, Chris Thile. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Partita No. 1 in B minor, BWV 1002: VI. Double is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Partita No. 1 in B minor, BWV 1002: VI. Double by Johann Sebastian Bach, Chris Thile is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.19 In B Minor, Op.30 No.2 | Frédéric Chopin, Vladimir Ashkenazy | F♯ Minor | 1 | 11A | 109 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Romanian Folk Dances Sz. 56: IV. Dance from Bucium | Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra | C Major | 2 | 8B | 73 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Mama | Edgar Meyer, Yo-Yo Ma, Mark O'Connor | C Major | 1 | 8B | 153 BPM | ||
J.S. Bach: The Goldberg Variations | Mike Marshall, Chris Thile | G Major | 3 | 9B | 107 BPM | ||
Keyboard Sonata No. 38 in F Major, Hob.XVI:23: II. Adagio | Franz Joseph Haydn, Carol Rosenberger | A♭ Major | 0 | 4B | 165 BPM | ||
Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 112 BPM | ||
G-22 | Edgar Meyer, Chris Thile | A Major | 3 | 11B | 108 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |
Section: 0.500741720199585
End: 0.504746675491333