"Liturgy of St. John Chrysostom, Op. 31: Hymn to the Mother of God: Meet is in truth, to bless thee" by Sergei Rachmaninoff, Moscow Chamber Choir, Natalia Gerasimova, Yuri Kutatin, Sergei Baikov, Alexander Karakuts, Vladimir Minin was released on March 1, 2016. The duration of Liturgy of St. John Chrysostom, Op. 31: Hymn to the Mother of God: Meet is in truth, to bless thee is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Liturgy of St. John Chrysostom, Op. 31: Hymn to the Mother of God: Meet is in truth, to bless thee's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rachmaninov: Liturgy of St. Chrysostom, Op. 31". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Liturgy of St. John Chrysostom, Op. 31: Hymn to the Mother of God: Meet is in truth, to bless thee is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom, Op. 31: Hymn to the Mother of God: Meet is in truth, to bless thee by Sergei Rachmaninoff, Moscow Chamber Choir, Natalia Gerasimova, Yuri Kutatin, Sergei Baikov, Alexander Karakuts, Vladimir Minin having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
10 Preludes, Op. 23: No. 2 in B-Flat Major: Maestoso | Sergei Rachmaninoff, Eldar Nebolsin | D♭ Major | 1 | 3B | 63 BPM |
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