"Debussy: Ariettes oubliées, CD 63b, L. 60: No. 5, Aquarelles I. Green (Second Version)" by Claude Debussy, Sabine Devieilhe, Alexandre Tharaud was released on September 11, 2020. The duration of Debussy: Ariettes oubliées, CD 63b, L. 60: No. 5, Aquarelles I. Green (Second Version) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Debussy: Ariettes oubliées, CD 63b, L. 60: No. 5, Aquarelles I. Green (Second Version)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 29 in Chanson d'Amour by Sabine Devieilhe, Alexandre Tharaud. Debussy: Ariettes oubliées, CD 63b, L. 60: No. 5, Aquarelles I. Green (Second Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Ariettes oubliées, CD 63b, L. 60: No. 5, Aquarelles I. Green (Second Version) by Claude Debussy, Sabine Devieilhe, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze die Figaro, K. 492, Act IV: Giunse alfin il momento... Deh vieni non tardar (Susanna) | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | G Major | 0 | 9B | 95 BPM | ||
2 Romances: No. 2. Les cloches | Claude Debussy, Emőke Baráth, Emese Virágh | D♭ Minor | 1 | 12A | 94 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 2, Aria. "Stumme Seufzer, stille Klagen" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | D♭ Minor | 1 | 12A | 73 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Adieu, fière cité" (Didon) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | A♭ Major | 0 | 4B | 76 BPM | ||
6 Romances, Op. 38: V. The Dream - Musical Moments | Sergei Rachmaninoff, Anna El-Khashem, Holger Groschopp | D Major | 5 | 10B | 140 BPM | ||
Fauré: 3 Mélodies, Op. 23: No. 2, Notre amour | Gabriel Fauré, Barbara Hendricks, Michel Dalberto | B♭ Major | 1 | 6B | 89 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM |
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