Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli's 'Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!"' came out on January 1, 1991. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" by Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Höchste Herrscherin der Welt | Gustav Mahler, Simon O'Neill, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 70 BPM | ||
Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: "Quinquin, es ist mein Mann!" | Richard Strauss, Maria Reining, Harald Pröglhöf, Sena Jurinac, Ludwig Weber, Wiener Philharmoniker, Erich Kleiber | C Major | 2 | 8B | 83 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Waldung, sie schwankt heran | Gustav Mahler, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | B♭ Minor | 0 | 3A | 70 BPM | ||
Carmina Burana / III. Cour d'amours: "Stetit puella" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 1 | 7A | 180 BPM | ||
Die Fledermaus / Act 3: Nr.16 Finale: "O Fledermaus, o Fledermaus" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, René Kollo, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 81 BPM | ||
Tannhäuser - Paris version / Act 1: "Zieh hin, Wahnsinniger, zieh hin!" | Richard Wagner, Agnes Baltsa, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | B♭ Major | 2 | 6B | 81 BPM | ||
Salome, Op.54, TrV 215 / Scene 1: "Wie schön ist die Prinzessin Salome heute Nacht!" | Richard Strauss, Waldemar Kmentt, Josephine Veasey, Zenon Kosnowski, Heinz Holecek, Wiener Philharmoniker, Sir Georg Solti | B♭ Minor | 7 | 3A | 126 BPM | ||
Don Quixote, Op.35: 2. Don Quixote, der Ritter von der traurigen Gestalt - 3. Sancho Panza | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 206 BPM | ||
Nabucco / Act 1: Guerrieri, è preso il Tempio! ...Prode guerrier! | Giuseppe Verdi, Ghena Dimitrova, Lucia Valentini Terrani, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 1 | 9B | 80 BPM |
Section: 0.6038608551025391
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