"Nabucco, Act 3: Va, pensiero, sull'ali dorate" by Giuseppe Verdi, Dredner Philharmonie, MDR Leipzig Radio Chorus, Herbert Kegel was released on 1966. The duration of Nabucco, Act 3: Va, pensiero, sull'ali dorate is about 3 minutes long, at 3:24. Based on our data, "Nabucco, Act 3: Va, pensiero, sull'ali dorate" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Love Dreams - Liebesträume" album is number 14 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Nabucco, Act 3: Va, pensiero, sull'ali dorate is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nabucco, Act 3: Va, pensiero, sull'ali dorate by Giuseppe Verdi, Dredner Philharmonie, MDR Leipzig Radio Chorus, Herbert Kegel to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Dritter Akt: Tausend kleine Engel singen (Sylva - Stasi - Edwin - Boni) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | D Major | 2 | 10B | 80 BPM | ||
Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Chorus) | Giuseppe Verdi, Riccardo Muti, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | A Major | 4 | 11B | 89 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Schwanensee, Op. 20: Schwanenthema | Matthias Georg Kendlinger, K & K Philharmoniker | E Minor | 2 | 9A | 137 BPM | ||
Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 1 | 6A | 88 BPM | ||
In einem kuhlen Grunde | Friedrich Gluck, Leipzig Radio Chorus, male section, Jörg Peter Weigle | B♭ Major | 1 | 6B | 97 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM |
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