Croft's 136th "To Thee Our God We Fly"
William Croft, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts
The Complete New English Hymnal, Vol. 6
3:44 January 12, 2000
BPM
81
Key
C Major
Camelot
8B

Embed

Share Link

Croft's 136th "To Thee Our God We Fly" - William Croft, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts Information

Acousticness
93%
Danceability
17%
Energy
20%
Instrumentalness
0%
Liveness
14%
Loudness
69%
Speechiness
4%
Valence
12%
Popularity
Loudness
-18.476 dB

Summary

"Croft's 136th "To Thee Our God We Fly"" by William Croft, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts was released on January 12, 2000. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "The Complete New English Hymnal, Vol. 6". In this album, this song's track order is #2. Croft's 136th "To Thee Our God We Fly" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Croft's 136th "To Thee Our God We Fly" BPM

With Croft's 136th "To Thee Our God We Fly" by William Croft, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Croft's 136th "To Thee Our God We Fly" Key

The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Missa Maria Magdalena: Agnus Dei by Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar BohlinMissa Maria Magdalena: Agnus DeiStellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar BohlinD Major110B86 BPM
Ave Maria, Virgo Serena by Josquin des Prez, Stile AnticoAve Maria, Virgo SerenaJosquin des Prez, Stile AnticoC Major18B71 BPM
Laudate Nomen by Christopher Tye, Voices of Ascension Chorus, Dennis KeeneLaudate NomenChristopher Tye, Voices of Ascension Chorus, Dennis KeeneG Major19B64 BPM
Eric Whitacre: Lux aurumque by Eric Whitacre, Schola Cantorum, Tone Bianca Sparre DahlEric Whitacre: Lux aurumqueEric Whitacre, Schola Cantorum, Tone Bianca Sparre DahlD♭ Minor112A69 BPM
3 Sacred Songs, Op. 69: No. 3, Abendlied 3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden"Josef Rheinberger, Westminster Kantorei, Amanda QuistF Major27B134 BPM
For Balmy Sunshine by Oasis Chorale, Wendell NislyFor Balmy SunshineOasis Chorale, Wendell NislyB♭ Major06B70 BPM
Magnificat in D Major by Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John SandersMagnificat in D MajorHerbert Brewer, Gloucester Cathedral Choir, Mark Lee, John SandersF Major07B140 BPM
4 Gesange, Op. 17: Es tont ein voller Harfenklang by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling4 Gesange, Op. 17: Es tont ein voller HarfenklangJohannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth RillingC Major18B111 BPM
Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father by Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards KļavaLiturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the FatherPyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards KļavaB♭ Major36B82 BPM
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusMass in E-Flat Major (Cantus missae), Op.109: II. GloriaJosef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder BerniusE♭ Major15B137 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6174201965332031

End: 0.6241927146911621