"Croft's 136th "To Thee Our God We Fly"" by William Croft, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts was released on January 12, 2000. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "The Complete New English Hymnal, Vol. 6". In this album, this song's track order is #2. Croft's 136th "To Thee Our God We Fly" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Croft's 136th "To Thee Our God We Fly" by William Croft, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
Ave Maria, Virgo Serena | Josquin des Prez, Stile Antico | C Major | 1 | 8B | 71 BPM | ||
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Eric Whitacre: Lux aurumque | Eric Whitacre, Schola Cantorum, Tone Bianca Sparre Dahl | D♭ Minor | 1 | 12A | 69 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
For Balmy Sunshine | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75 (Concert Version): No. 2, Glory Be to the Father | Pyotr Ilyich Tchaikovsky, Karlis Rutentals, Gundars Dziļums, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 3 | 6B | 82 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM |
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