"Stabat Mater: II. Cujus animam gementem" by Domenico Scarlatti, Musica Sacra, Indra Hughes was released on January 1, 2002. Since Stabat Mater: II. Cujus animam gementem is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Musica Sacra, Indra Hughes's "Music Sacra" album is number 2 out of 16. On top of that, New Zealand appears to be the country where this track was created. Based on our statistics, Stabat Mater: II. Cujus animam gementem's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater: II. Cujus animam gementem by Domenico Scarlatti, Musica Sacra, Indra Hughes to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in F Major, K.44/L.432/P.116: Allegro | Domenico Scarlatti, Eteri Andjaparidze | B Major | 0 | 1B | 165 BPM | ||
Messe in Es, Op. 109 "Cantus Missae": Kyrie | Josef Rheinberger, Neuer Kammerchor Berlin, Adrian Emans | E♭ Major | 1 | 5B | 127 BPM | ||
Three Shakespeare Songs: No. 2, Under the Greenwood Tree | Clive Osgood, Sofia Vokalensemble, Bengt Ollen | D Major | 2 | 10B | 70 BPM | ||
The Crucifixion: Recitative: Is it nothing to you? (Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | A♭ Major | 1 | 4B | 84 BPM | ||
The Lord is a sun and a shield: No. 5, Chorus "Blessed be the Lord God of Israel" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Minor | 1 | 8A | 84 BPM | ||
Missa si Deus pro nobis, a 16 voci: II. Christe eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 78 BPM | ||
Gloria in D Major, RV 589: IX. Qui tollis | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus | E Minor | 2 | 9A | 128 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM |
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