Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel's 'Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo' came out on January 1, 1973. The duration of Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo is about 3 minutes long, at 3:05. Based on our data, "Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 - Act 2: The Nurse - The Nurse and Romeo by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Op. 66, TH 13 / Act 2: 10. Entr'acte et scène | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 91 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 72 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Romeo and Juliet, Op. 64 - Act 3: Juliet's Room | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Minor | 0 | 9A | 81 BPM | ||
Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
Don Quixote: Prologue: Entrance of Don Quixote | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 124 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 9. Auf der Alm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 80 BPM | ||
Symphony No. 8 in F Major, Op. 93: 2. Allegretto scherzando | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 83 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Zurückhalten | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 132 BPM |
Section: 0.8345601558685303
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