On January 1, 1995, the song "Studies for Player Piano: Study #1" was released by Conlon Nancarrow, Robert Miller. The duration of Studies for Player Piano: Study #1 is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Studies for Player Piano: Study #1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Sound Forms For Piano". In this album, this song's track order is #13. The popularity of Studies for Player Piano: Study #1 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Studies for Player Piano: Study #1 by Conlon Nancarrow, Robert Miller having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reflections: I. Resumen de Otoño by Julio Cortazar | Prism Quartet, Melissa Aldana | D♭ Major | 0 | 3B | 68 BPM | ||
Clarinet Serenade: Gypsy Lament | Mitar Popescu | C Major | 4 | 8B | 92 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Andante tranquillo | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 2: The Masque | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 2 | 4B | 125 BPM | ||
Revolución diamantina, Act I. The sounds cats make | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | A♭ Major | 5 | 4B | 111 BPM | ||
Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Concerto for Saxophone - Quartet: Movevement II | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | F Major | 1 | 7B | 72 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Fantasia for Violin Solo n. 1 in B flat major Allegro (G. P. Telemann) | Georg Philipp Telemann, Stanislao Marco Spina | B♭ Major | 0 | 6B | 112 BPM |
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