"Rückert-Lieder: Liebst du um Schönheit" by Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2004. The duration of Rückert-Lieder: Liebst du um Schönheit is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Rückert-Lieder: Liebst du um Schönheit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Violeta Urmana, Anne Sofie von Otter, Thomas Quasthoff's "Mahler: Song Cycles" album is number 7 out of 14. Rückert-Lieder: Liebst du um Schönheit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rückert-Lieder: Liebst du um Schönheit by Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 5: Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" | Gustav Mahler, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | F♯ Major | 0 | 2B | 85 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM |
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