Benjamin Britten, Karim Sulayman, Sean Shibe made "Songs from the Chinese: No. 2 The Old Lute" available on May 5, 2023. The duration of Songs from the Chinese: No. 2 The Old Lute is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Songs from the Chinese: No. 2 The Old Lute's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 17 in Broken Branches by Karim Sulayman, Sean Shibe. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Songs from the Chinese: No. 2 The Old Lute is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Songs from the Chinese: No. 2 The Old Lute by Benjamin Britten, Karim Sulayman, Sean Shibe is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Elegy, Op. 58 | Edward Elgar, English Northern Philharmonia, David Lloyd-Jones | F Minor | 0 | 4A | 84 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | A Major | 1 | 11B | 101 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): I. Pavane of the Sleeping Beauty (Pavane de la belle au bois dormant) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Major | 0 | 8B | 71 BPM |
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