"Symphoniae Sacrae III, Op. 12: Meister, wir wissen, daß du wahrhaftig bist, SWV 414" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. Symphoniae Sacrae III, Op. 12: Meister, wir wissen, daß du wahrhaftig bist, SWV 414 is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #7. Based on our statistics, Symphoniae Sacrae III, Op. 12: Meister, wir wissen, daß du wahrhaftig bist, SWV 414's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphoniae Sacrae III, Op. 12: Meister, wir wissen, daß du wahrhaftig bist, SWV 414 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Matthaus-Passion, SWV 479: Und es begab sich, da Jesus alle diese Rede vollendet hatte | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | E♭ Major | 1 | 5B | 71 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: IV. Mit Fried und Freud ich fahr dahin | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | B♭ Minor | 1 | 3A | 133 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM |
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