"Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto" by Sergei Rachmaninoff, Leif Ove Andsnes, Antonio Pappano, Berliner Philharmoniker was released on November 25, 2005. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rachmaninov: Piano Concertos 1 & 2". In this album, this song's track order is #5. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto by Sergei Rachmaninoff, Leif Ove Andsnes, Antonio Pappano, Berliner Philharmoniker having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.6 In F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 118 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Piano Concerto No.2 in C minor, Op.18: 2. Adagio sostenuto | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E Major | 0 | 12B | 94 BPM | ||
Violin Concerto No. 3 in B minor Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | B♭ Major | 0 | 6B | 163 BPM | ||
Concerto for Violin and Cello in A minor, Op. 102: 2. Andante | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 114 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Vocalise, Op. 34, No. 14 (Arranged for Violin & Orchestra) | Sergei Rachmaninoff, Joshua Bell, Michael Stern, Orchestra of St. Luke's | E Minor | 2 | 9A | 100 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: III. Larghetto | Frédéric Chopin, Leif Ove Andsnes | A♭ Major | 0 | 4B | 128 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM |
Section: 0.6571462154388428
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