- BPM
- 102
- Key
- B♭ Minor
- Camelot
- 3A
Sonata for Flute, Harp & Viola, L. 137: III. Final - Claude Debussy, Yolanda Kondonassis, Joshua Smith, Cynthia Phelps Information
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 5%
- Instrumentalness
- 90%
- Liveness
- 11%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -26.785 dB
Summary
"Sonata for Flute, Harp & Viola, L. 137: III. Final" by Claude Debussy, Yolanda Kondonassis, Joshua Smith, Cynthia Phelps was released on October 28, 2008. With this song being about 5 minutes long, at 5:02, "Sonata for Flute, Harp & Viola, L. 137: III. Final" by Claude Debussy, Yolanda Kondonassis, Joshua Smith, Cynthia Phelps is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 10 in Air by Yolanda Kondonassis, Joshua Smith, Cynthia Phelps, Oberlin 21, Bridget-Michaele Reischl. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sonata for Flute, Harp & Viola, L. 137: III. Final is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sonata for Flute, Harp & Viola, L. 137: III. Final BPM
The tempo marking of Sonata for Flute, Harp & Viola, L. 137: III. Final by Claude Debussy, Yolanda Kondonassis, Joshua Smith, Cynthia Phelps is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Sonata for Flute, Harp & Viola, L. 137: III. Final Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Préludes (Arr. for Harp): No. 2, Moderato | Alexander Baltin, Cristina Bianchi | D♭ Minor | 0 | 12A | 100 BPM | |
 | Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | |
 | Relâche, Pt. 1: No. 9, Danse de la femme | Erik Satie, Ronald Corp, New London Orchestra | E♭ Major | 0 | 5B | 92 BPM | |
 | Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | |
 | Suite del ángel: IV. Resurrección del ángel (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | |
 | Septet in E-Flat Major, Op. 65: II. Menuet. Tempo di minuetto moderato | Camille Saint-Saëns, Nash Ensemble | F Major | 1 | 7B | 135 BPM | |
 | Carnaval, Op. 9: No. 5, Eusebius | Robert Schumann, David Hyun-su Kim | A♭ Major | 3 | 4B | 139 BPM | |
 | HFDSTX | KNOXVILLETRACKZ | C Major | 0 | 8B | 83 BPM | |
 | The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | |
 | Arirang (Arr. Hough) | Anonymous, Stephen Hough | F Major | 2 | 7B | 77 BPM |
- ISRC
- USTE10810694
- Label
- L-M Records/RCA Records
Section: 0.572089672088623
End: 0.5757856369018555