Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden's 'Suite del ángel: IV. Resurrección del ángel (Arr. for Violin & String Orchestra by Ken Selden)' came out on April 26, 2024. Suite del ángel: IV. Resurrección del ángel (Arr. for Violin & String Orchestra by Ken Selden) is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Piazzolla: Arrangements for Violin & String Orchestra". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Suite del ángel: IV. Resurrección del ángel (Arr. for Violin & String Orchestra by Ken Selden)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite del ángel: IV. Resurrección del ángel (Arr. for Violin & String Orchestra by Ken Selden) by Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Canção De Maio | Luiz Costa, Fernando Costa, Luis Costa | G Major | 0 | 9B | 74 BPM | ||
Nocturne in C-Sharp Minor, B. 49 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Violin Concerto in D Minor "Accademico": II. Adagio | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Dark Sonata | Michael Raven | G Major | 0 | 9B | 136 BPM | ||
Vardarito - Buenos Aires 17/08/1972 Restauración 2023 | Astor Piazzolla | D Minor | 5 | 7A | 92 BPM | ||
Angustioso | Julianus Nunes, João Marcondes, a Trupe deCompositores | C Major | 0 | 8B | 105 BPM | ||
Guitar Concerto: I. Moto perpetuo | Maya Badian, Valentin Farkas, Cluj-Napoca Philharmonic Orchestra, Cristian Mandeal | D♭ Major | 3 | 3B | 95 BPM |
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