"Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo" by Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz was released on December 22, 2004. The duration of Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz's "Locatelli: Concerti Grossi" album is number 1 out of 27. On top of that, France appears to be the country where this track was created. Based on our statistics, Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo by Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Les Indes Galantes - Air pour les esclaves africains | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 76 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto for 3 Violins and Strings, BWV 1064: Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Thomas Hengelbrock | D♭ Major | 3 | 3B | 95 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: I. [Ohne Satzbezeichnung] - II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester | B♭ Minor | 2 | 3A | 131 BPM |
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