"Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia)" by Gaetano Donizetti, Royal Philharmonic Orchestra/Alfredo Kraus/Nicola Rescigno/Edita Gruberova, Nicola Rescigno, Royal Philharmonic Orchestra was released on January 1, 1995. The duration of Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 5 out of 44. In terms of popularity, Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia) by Gaetano Donizetti, Royal Philharmonic Orchestra/Alfredo Kraus/Nicola Rescigno/Edita Gruberova, Nicola Rescigno, Royal Philharmonic Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Linda di Chamounix, A. 62, Act II Scene 5: Ah! Che il Ciel vi benedica | Gaetano Donizetti, Vittorio Prato, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM |
Section: 0.606480598449707
End: 0.6148636341094971