Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale - Camille Saint-Saëns, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia Information

Acousticness: 91%
Danceability: 56%
Energy: 48%
Instrumentalness: 72%
Liveness: 10%
Loudness: 86%
Speechiness: 4%
Valence: 70%
Popularity: 6%
Loudness: -8.316 dB

Summary

Camille Saint-Saëns, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia made "Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale" available on September 22, 2017. The duration of Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Saint-Saëns: Carnival of the Animals & Symphony No. 3, "Organ Symphony"". In this album, this song's track order is #18. In terms of popularity, Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale BPM

With Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale by Camille Saint-Saëns, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Saint-Saëns: Carnival of the Animals, R. 125: No. 14 Finale Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights	Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	C Major	1	8B	73 BPM
Pavane, Op. 50	Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton	F♯ Minor	0	11A	66 BPM
Introduction and Rondo capriccioso in A Minor	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	A Minor	1	8A	91 BPM
An der schönen blauen Donau, Waltz, Op. 314	Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan	D Major	0	10B	95 BPM
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato	Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins	F Major	1	7B	87 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	F Minor	0	4A	84 BPM
Mozart / Arr. Grieg for Two Pianos: Piano Sonata No. 16 in C Major, K. 545 "Semplice": I. Allegro (Live)	Wolfgang Amadeus Mozart, Martha Argerich, Piotr Anderszewski	D Minor	0	7A	121 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino	Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Jazz Suite No. 1: I. Waltz	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	E♭ Major	1	5B	173 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7039992809295654

End: 0.7078571319580078