- BPM
- 67
- Key
- C Minor
- Camelot
- 5A
Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo - Eugène Bozza, Amy Pollard, Damon Denton Information
- Acousticness
- 100%
- Danceability
- 12%
- Energy
- 2%
- Instrumentalness
- 95%
- Liveness
- 12%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -26.474 dB
Summary
"Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo" by Eugène Bozza, Amy Pollard, Damon Denton was released on February 10, 2015. With this song being about 5 minutes long, at 5:29, "Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo" by Eugène Bozza, Amy Pollard, Damon Denton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 21 in Bassoon Works of Eugène Bozza: Ruminations by Eugène Bozza, Amy Pollard. Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo BPM
The tempo marking of Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo by Eugène Bozza, Amy Pollard, Damon Denton is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Bassoon Concertino, Op. 49 (version for bassoon and piano): II. Andante scorrevole, tranquillo Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Turandot, Act III: Nessun dorma (arr. for trombone) | Giacomo Puccini, Robert Elkjer, Joseph Alessi, Warren Jones | C Major | 0 | 8B | 65 BPM | |
 | Sonatine pour basson et piano: III. Scherzo presto | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 3 | 8A | 149 BPM | |
 | Antar (After N. Rimsky-Korsakov): No. 13. Rimsky-Korsakov: Mlada, Act III: Scene at Mount Triglav - Puis il y eut encore une bataille… (narration) | Maurice Ravel, Andre Dussollier, Orchestre National De Lyon, Leonard Slatkin | D♭ Major | 1 | 3B | 86 BPM | |
 | Sonatine: II. Andante ma non troppo | Eugène Bozza, Stockholm Chamber Brass | C Major | 0 | 8B | 87 BPM | |
 | Flower Song (From Carmen) | Georges Bizet, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM | |
 | Deux Morceaux (arr. for brass ensemble by Jarle Storløkken): I. Nocturne | Lili Boulanger, tenThing, Tine Thing Helseth | C Minor | 3 | 5A | 76 BPM | |
 | classical type beat | Silio Dussud, Walis | E Minor | 0 | 9A | 114 BPM | |
 | Sacra Partitura for Bassoon, Violin and Basso Continuo: Sonata sopra la Monica | Philip Friedrich Böddecker, Bram van Sambeek, Maria-Paula Majoor, Rick Stotijn | D Minor | 1 | 7A | 95 BPM | |
 | Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | |
 | Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6699838638305664
End: 0.6743063926696777