"Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria" by Domenico Scarlatti, Michael Lewin was released on June 8, 1999. The duration of Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Scarlatti, D.: Keyboard Sonatas (Complete), Vol. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria by Domenico Scarlatti, Michael Lewin having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Keyboard Concerto in F Major, Hob.XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B♭ Major | 1 | 6B | 104 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Sonata No. 84 in D Major, R;413 | Antonio Soler, Luis Fernando Pérez | D Major | 2 | 10B | 130 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM |
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