"His Golden Locks Time Hath to Silver Turned" by John Dowland, Grace Davidson, David Miller was released on November 2, 2018. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Dowland, Grace Davidson, David Miller's "John Dowland: First Booke of Songes or Ayres" album is number 18 out of 21. On top of that, United Kingdom appears to be the country where this track was created. His Golden Locks Time Hath to Silver Turned is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of His Golden Locks Time Hath to Silver Turned by John Dowland, Grace Davidson, David Miller to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folies d'Espagne | Jacques Gallot, Catherine Liddell | A♭ Minor | 0 | 1A | 93 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Harmonia Recorder Ensemble | C Major | 0 | 8B | 135 BPM | ||
Nunc Dimittis | Josquin des Prez, Oxford Camerata | A Minor | 0 | 8A | 68 BPM | ||
Io ti vorria contar, LV 658 (Transcr. for Lutes by Evangelina Mascardi) | Orlande de Lassus, Evangelina Mascardi, Frédéric Zigante, Cornelia Demmer | B Major | 2 | 1B | 136 BPM | ||
Fantasia 12 | Edward Martin | B♭ Major | 2 | 6B | 84 BPM | ||
Corrente | Domenico Pellegrini, Pierre Pitzl | D♭ Major | 0 | 3B | 112 BPM | ||
Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: II. Fantazy | William Lawes, Fretwork | A Minor | 1 | 8A | 79 BPM | ||
Fortune My Foe, P. 62 | John Dowland, Bor Zuljan | F Minor | 1 | 4A | 95 BPM | ||
Lachrimae or Seven Tears: XV. Captain Piper his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |
Section: 0.695930004119873
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