- BPM
- 65
- Key
- D♭ Minor
- Camelot
- 12A
12 German Dances, D790: No. 9 - Franz Schubert, Mitsuko Uchida Information
- Acousticness
- 100%
- Danceability
- 36%
- Energy
- 0%
- Instrumentalness
- 93%
- Liveness
- 12%
- Loudness
- 51%
- Speechiness
- 5%
- Valence
- 9%
- Popularity
- 20%
- Loudness
- -29.287 dB
Summary
"12 German Dances, D790: No. 9" by Franz Schubert, Mitsuko Uchida was released on November 22, 2023. With 12 German Dances, D790: No. 9 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 42 out of 150 in A Concert of Pianists by Franz Schubert, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Frédéric Chopin, Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 12 German Dances, D790: No. 9 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
12 German Dances, D790: No. 9 BPM
The tempo marking of 12 German Dances, D790: No. 9 by Franz Schubert, Mitsuko Uchida is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
12 German Dances, D790: No. 9 Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | |
 | Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | |
 | Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Valses sentimentales, Op. 50, D.779: No. 17 in C Major - No. 18 in A-Flat Major - No. 19 in A-Flat Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | 4 Impromptus, Op. 142, D. 935: No. 2 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 68 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |
- ISRC
- GBBBB0105121
- Label
- L-M Records/RCA Records
Section: 0.6962094306945801
End: 0.699500322341919