"Piano Sonata No. 14 in C-Sharp Minor, Op. 27:2, "Moonlight Sonata": Adagio sostenuto" by Finghin Collins was released on October 12, 2010. Piano Sonata No. 14 in C-Sharp Minor, Op. 27:2, "Moonlight Sonata": Adagio sostenuto is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 50 in the song's album "The 50 Most Essential Classical Pieces for Your Mind". In this album, this song's track order is #26. The popularity of Piano Sonata No. 14 in C-Sharp Minor, Op. 27:2, "Moonlight Sonata": Adagio sostenuto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 14 in C-Sharp Minor, Op. 27:2, "Moonlight Sonata": Adagio sostenuto by Finghin Collins having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': I. Adagio sostenuto (Excerpt) | Ludwig van Beethoven | B Minor | 0 | 10A | 76 BPM | ||
Septet in E-Flat Major, Op. 20: II. Adagio cantabile | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | A♭ Major | 0 | 4B | 127 BPM | ||
Concerto No. 1 in E Major, Op. 8 RV 269, "La primavera" (Spring): I. Allegro | Emmy Verhey | E Major | 1 | 12B | 99 BPM | ||
Arrogant Trespass, the Normans Landing at Bannow Strand: Midday | Gerald Barry, Finghin Collins | F Minor | 0 | 4A | 114 BPM | ||
Nocturne, B-Moll, op. 9, No. 1: Larghetto | Adolf Drescher | D♭ Major | 0 | 3B | 130 BPM | ||
Piano Concerto No. 3 In C Minor, Op. 37: Largo | Orchestre de Chambre de Lausanne, Finghin Collins, Emmanuel Krivine | E Major | 0 | 12B | 139 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Shamus O'Brien, Op. 61 (Arr. for Voice & Piano by Anonymous): A Grave Yawns Cold | Charles Villiers Stanford, Sharon Carty, Finghin Collins | F Minor | 1 | 4A | 79 BPM | ||
Piano Concerto No. 3 In C Minor, Op. 37: Rondo. Allegro | Orchestre de Chambre de Lausanne, Finghin Collins, Emmanuel Krivine | C Minor | 1 | 5A | 117 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM |
Section: 0.6241490840911865
End: 0.6361916065216064