"Arrogant Trespass, the Normans Landing at Bannow Strand: Midday" by Gerald Barry, Finghin Collins was released on September 28, 2018. Since Arrogant Trespass, the Normans Landing at Bannow Strand: Midday is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Ros Tapestry Suite". In this album, this song's track order is #3. In terms of popularity, Arrogant Trespass, the Normans Landing at Bannow Strand: Midday is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Arrogant Trespass, the Normans Landing at Bannow Strand: Midday by Gerald Barry, Finghin Collins having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 2 | 8B | 81 BPM | ||
Danzas de Panama: I. Tamborito | William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe | A Major | 2 | 11B | 102 BPM | ||
Short Ride in a Fast Machine | John Adams, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 5 | 10B | 152 BPM | ||
Insanae et vanae curae | Joseph Haydn, Choir of New College, Oxford, New Century Baroque, Edward Higginbottom | D♭ Minor | 1 | 12A | 124 BPM | ||
Capriol Suite: I. Basse-danse | Peter Warlock, Büyükada Ensemble, James Ross | A Minor | 1 | 8A | 74 BPM | ||
Alice's Adventures Under Ground: Jabberwocky In Russian | Gerald Barry, Claudia Boyle, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, Andre de Ridder, Irish National Opera, Irish Chamber Orchestra | C Major | 7 | 8B | 113 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
The Importance of Being Earnest, Act II: Garden at the Manor House (Live) | Gerald Barry, Hilary Summers, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès | C Major | 1 | 8B | 82 BPM | ||
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Heinrich Koll, Alexandra Koll | G Minor | 0 | 6A | 93 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, Graham Ashton/Irish Chamber Orchestra/Ian Watson, Ian Watson, Irish Chamber Orchestra | D Major | 3 | 10B | 98 BPM |
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