"The Importance of Being Earnest, Act II: Garden at the Manor House (Live)" by Gerald Barry, Hilary Summers, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès was released on November 4, 2014. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 12 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act II: Garden at the Manor House (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Importance of Being Earnest, Act II: Garden at the Manor House (Live) by Gerald Barry, Hilary Summers, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swinging Tripes and Trillibubkins | Gerald Barry, Noriko Kawai | F Minor | 5 | 4A | 89 BPM | ||
Organ Sonata No. 4 in E Minor, BWV 528: II. Andante | Johann Sebastian Bach, Wolfgang Rübsam | C Minor | 0 | 5A | 71 BPM | ||
Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | ||
Erlkönig D. 328 | Franz Schubert, Matthias Goerne, Andreas Haefliger | F Minor | 2 | 4A | 84 BPM | ||
Violin Concerto "Distant Light": Cadenza III | Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 2 | 6B | 141 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro | Johann Sebastian Bach, Elizabeth Wallfisch/Lisa Beznosiuk/Malcolm Proud/Orchestra of the Age of Enlightenment, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | D♭ Major | 2 | 3B | 126 BPM | ||
The Art of Fugue, BWV 1080: Contrapunctus 1 | Johann Sebastian Bach, Keller Quartett | D Minor | 1 | 7A | 76 BPM | ||
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
The Intelligence Park, Act I: Begin. Daub's Bower | Vincent Deane, Gerald Barry, Nicholas Clapton, Buddug Verona James, Richard Jackson, Almeida Ensemble, Robert Houlihan | G Major | 2 | 9B | 103 BPM | ||
Suite: I Have a Bonnet Trimmed with Blue | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 79 BPM |
Section: 0.7498469352722168
End: 0.7539565563201904