Johann Sebastian Bach, Murray Perahia's 'French Suite No.3 in B Minor, BWV 814: 1. Allemande' came out on October 7, 2016. The duration of French Suite No.3 in B Minor, BWV 814: 1. Allemande is about 3 minutes long, at 3:10. Based on our data, "French Suite No.3 in B Minor, BWV 814: 1. Allemande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 12 out of 39. Based on our statistics, French Suite No.3 in B Minor, BWV 814: 1. Allemande's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of French Suite No.3 in B Minor, BWV 814: 1. Allemande by Johann Sebastian Bach, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata No. 56 in D Major, Hob. XVI:42: I. Andante con espressione | Franz Joseph Haydn, Glenn Gould | E♭ Major | 1 | 5B | 134 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Suite en Sol: La Poule | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 124 BPM | ||
Haydn: Piano Sonata in A Major, Hob. XVI:26: I. Allegro moderato | Franz Joseph Haydn, Leif Ove Andsnes | A Major | 0 | 11B | 171 BPM | ||
Le Dodo ou L'Amour au berceau (15e ordre) | François Couperin, Alexandre Tharaud | A Major | 0 | 11B | 66 BPM | ||
Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: Concerto for Cello and Orchestra in D Major, Hob.VIIb:2: III. Allegro moderato | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | D Major | 1 | 10B | 140 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM |
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