"Violin Concerto in D Major, Jung I.7,c: II. Andante" by Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki was released on February 3, 2023. The duration of Violin Concerto in D Major, Jung I.7,c: II. Andante is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Violin Concerto in D Major, Jung I.7,c: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Pisendel". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Violin Concerto in D Major, Jung I.7,c: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Major, Jung I.7,c: II. Andante by Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E Major | 3 | 12B | 128 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Suite Nr. 2 H-moll - 6. Polonaise - Arrangement Für Flöte Und Orchester | Philippe Racine, Simon Preston, English Chamber Orchestra | B Minor | 1 | 10A | 0 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro assai | Johann Sebastian Bach, Leonidas Kavakos, The Apollon Ensemble | F♯ Minor | 4 | 11A | 118 BPM | ||
Violin Sonata in D Major: I. Allegro | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B♭ Minor | 0 | 3A | 107 BPM | ||
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. Moderato | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | A Major | 0 | 11B | 93 BPM | ||
Sonata No. 2 in C Minor, FXV, RV 53: II. Allegro | Antonio Vivaldi, Ensemble J. M. Anciuti | B Minor | 2 | 10A | 146 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Corelli: Sonata No. 4 in E Minor (from "12 Trio Sonatas", Op. 2): I. Preludio (Adagio) - II. Allemanda (Presto) - III. Grave, Adagio - IV. Giga (Allegro) | Arcangelo Corelli, London Baroque/Charles Medlam, Charles Medlam | D♭ Minor | 1 | 12A | 61 BPM |
Section: 1.0102207660675049
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