"Laisses, Parler, Laisses Dire" by Traditional, IZZY, Ernö Olah, National Radio Orchestra of The Netherlands was released on January 1, 2002. With Laisses, Parler, Laisses Dire being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "New Dawn". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Laisses, Parler, Laisses Dire is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Laisses, Parler, Laisses Dire by Traditional, IZZY, Ernö Olah, National Radio Orchestra of The Netherlands having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria VIII, Mode V - Messe 1 Lux et Origo | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | D Major | 2 | 10B | 174 BPM | ||
Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Stella Splendens In Monte | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Ostinato vos seguire | Bartolomeo Tromboncino, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 87 BPM | ||
Pre-Eternal Counsel | Men's Choir of the Valaam Singing Culture Institute | E♭ Minor | 1 | 2A | 140 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Asperges me: Messe à la ville "Repons" | Louis-Nicolas Clérambault, Ensemble Polyphonique de Montparnasse, Victor Martin, Gaston Litaize | G Major | 0 | 9B | 75 BPM |
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